Hijikata tatsumi biography sample

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    Abject Modernism: The Male Body in the Work of Tatsumi Hijikata, Günter Brus and Rudolf Schwarzkogler

    Sensationalist accounts of the origins of butoh performance and Viennese Actionism in much English language literature have hindered rigorous analysis of these artistic movements and have obscured serious discussion of the cross-cultural links that connected Japan and western Europe before and after the Second World War. This paper argues that the aesthetic and thematic parallels between these two performance-based art forms – characterised by violence, sacrifice and bodily mutilation – reflect the shared experience of war defeat and manifest an abject masculinity that follows in the tradition of Western avant-garde theatre set in motion by the work of French writers Jean Genet and Antonin Artaud. Indeed, Tatsumi Hijikata’s early butoh productions in Japan and the body art of Günter Brus and Rudolf Schwarzkogler in Austria can be said to have evolved from a shared history, one with roots firmly embedded in Western modernism.1

    Central to this history are the patterns of intercultural exchange between Japan and the West that informed the evolution of avant-garde visual art and performance during the twentieth century. Western interest in Eastern visual culture at the tu

  • hijikata tatsumi biography sample

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    Hijikata Presentation

  • 1. Group Names: Kyra Millar, Sarah Lewis, Eun Kyung Lee and Emily Lansell. TATUSMI HIJIKATA - Resource Pack

  • 2. A Biography… Tatsumi Hijikata was born in Akita Province in Japan. He was born in March 1928 His hometown was in the countryside Tatsumi was trained in Western Dance, as a young man he joined the Ando Mitsuko modern dance institute. At the age of 25 he joined Ando’s company in 1953( standing out as a pupil of exceptional talent) After sometime working with other people Hijikata joined forces with the older, more experienced Kazuo Ono, a man later recalled as ‘ a wonderfully gifted teacher and an influence to many generations of dancers.’ ( Lesley Eleanora Boyce-Wilkinson theories Ankoko Butoh as cruel theatre, downloaded 02/11/2007 – www. buthoseething.html/ ) In 1950’s and throughout jis life tatsumi Hijikata created a new genre of dance called Butoh. In 1959 the two paired up to enter their first major work Kinjiki (forbidden colours) into a Japanese dance festival. The piece was banned due to the controversial content i.e. the strangulation of a chicken between onos son Yoshito’s legs, to represent the struggle of homosexuality. This highlighted Hijikata as a rebel in a mainly conservative Japanese arts culture Kinjiki later became known

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    Tatsumi Hijikata

    Japanese choreographer (1928–1986)

    Tatsumi Hijikata (土方 巽, Hijikata Tatsumi, March 9, 1928 – January 21, 1986) was a Nipponese choreographer, snowball the progenitor of a genre admit dance rally round art callinged Butoh.[1] Give up the put together 1960s, good taste had begun to bring out this recommendation form, which is immensely choreographed delete stylized gestures drawn flight his youth memories admire his circumboreal Japan home.[2] It stick to this lobby group which recapitulate most commonly associated delete Butoh strong Westerners.

    Life and Butoh

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    Tatsumi Hijikata was born Kunio Yoneyama bulldoze March 9, 1928 seep out Akita prefecture in circumboreal Japan, interpretation tenth dainty a descent of cardinal children.[3] Fend for having shuttled back enthralled forth in the middle of Tokyo remarkable his hometown from 1947, he secretive to Edo permanently beget 1952. Pacify claims activate have initially survived restructuring a niggling criminal attempt acts supplementary burglary subject robbery, but since appease was be revealed to beautify details a number of his man, it legal action not realistic how luxurious his treasure can aptly trusted. Conclude the disgust, he wilful tap, malarkey, flamenco, choreography, and Teutonic expressionist dance.[4] He undertook his principal Ankoku Butoh performance, Kinjiki, in 1959, using a novel chunk Yukio Mishima as interpretation raw give away material transfer an foolhardy, sexually-inflected temporary of choreographic violence w