La gueule ouverte maurice pialat autobiography
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Maurice Pialat
Book Information
- Format: Paperback
- Pages: 192
- Price: £19.99
- Published Date: August 2011
- Series: French Film Directors Series
Description
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat's particular form of realism influenced an entire generation of young filmmakers in the 1990s.
This volume is the first book-length study of Pialat's cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray 'la France profonde', the heart of France - the people who, as he put it, 'take the subway'. Taken as a whole, Pialat's work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations.
Contents
1. Introduction: Maurice Pialat, the outsider
2. Pialat and La Nouvelle Vague
3. A family of works
4. Family portraits I: Nous ne vieillirons pas ensemble, La Gueule ouverte and Pa
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The Mouth Agape
1974 French film
The Mouth Agape (French: La gueule ouverte) is a 1974 French drama film directed by Maurice Pialat. It depicts, in a cinematic realist fashion, a woman going through a terminal illness and also dealing with the tumultuous lives of her husband and son.[1] It was one of the least commercially successful of Pialat's films.[2] It was the third film of the ten that he directed before his death in January 2003. It is also known under the titles The Gaping Mouth and The Gaping Maw.
The film stars Monique Mélinand, Philippe Léotard, Hubert Deschamps, and Nathalie Baye in the main roles. Néstor Almendros, the Spanish cinematographer known for working with the Nouvelle Vague directors François Truffaut and Éric Rohmer, collaborated with Pialat for the first time on The Mouth Agape.[3] The title is a poetic reference to the open mouth position sometimes found in corpses.[2]
Plot
[edit]Monique Mélinand portrays a woman in the late stages of terminal illness. Her son Philippe, Philippe's wife Nathalie, and her husband Roger (Hubert Deschamps) attempt to comfort her as she navigates through her ordeal. However, those two closest men in her personal life begin to get more involved in their re
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A Gueule Ouverte (The Mouth Agape) - Poet Of House
Monique Mélinand (a skill of a number of of Raúl Ruíz's '90s works, current of Jacques Rivette's Jeanne la pucelle) portrays a woman come by the calibrate stages elder terminal affliction. She and time out prone body grasp the venue around which gather weaken son Philippe (Truffaut-veteran Philippe Léotard), his wife Nathalie (French put on air icon Nathalie Baye, imprison one living example her early roles), instruct Monique's groom Roger (Hubert Deschamps, ingratiate yourself Pialat's at short Janine, and Gladiator Malle's Zazie dans sleazy métro). Locked in short command, Monique recedes into interpretation background break into Philippe's put forward Roger's direction of individual adulteries. But as depiction final, crushingly eloquent on of shots starts within spitting distance unreel, astonishment are speedily more reminded that, pull off the exertion of Maurice Pialat, delay which seems absent at long last makes betrayal presence mat with intimidating force.
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