Zohar lazar biography examples
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Who would expect the Embassy of Cambodia? Nobody. Nobody could have expected it, or be expecting it. It’s a surprise, to us all. The Embassy of Cambodia!
Next door to the embassy is a health center. On the other side, a row of private residences, most of them belonging to wealthy Arabs (or so we, the people of Willesden, contend). They have Corinthian pillars on either side of their front doors, and—it’s widely believed—swimming pools out back. The embassy, by contrast, is not very grand. It is only a four- or five-bedroom North London suburban villa, built at some point in the thirties, surrounded by a red brick wall, about eight feet high. And back and forth, cresting this wall horizontally, flies a shuttlecock. They are playing badminton in the Embassy of Cambodia. Pock, smash. Pock, smash.
The only real sign that the embassy is an embassy at all is the little brass plaque on the door (which reads, “THE EMBASSY OF CAMBODIA”) and the national flag of Cambodia (we assume that’s what it is—what else could it be?) flying from the red tiled roof. Some say, “Oh, but it has a high wall around it, and this is what signifies that it is not a private residence, like the other houses on the street but, rather, an embassy.” The people who say so are foolish. Many of the priv
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Tara Anand is an illustrator and visual artist from Bombay, India.
She is currently pursuing a BFA in Illustration from the School of Visual Arts in New York. Her work tends to draw from books, history and her surroundings and she enjoys working with female-driven narratives. She has worked primarily on editorial and children’s book projects.
The New Yorker | Google India | Bitch Media | Bloomsbury Publishing UK | Scholastic | Harpers Bazaar India | Vogue India | The Indian Film Festival LA
HERE IS TARA DISCUSSING HER PROCESS:
I start with a very rough black and white outline of the general idea, I don’t really have a lot figured out at this stage in terms of looks.
Then I flesh out the shapes a little better and pick some colours. At this stage for this illustration, I had no idea what I wanted the center to be and thought it would be the focal point of the illustration.
I eventually make the center blank and focus on painting the forms of the books over the lineart. This is digital but I work almost the same as I would in gouache, no layers just painting each form individually. Ii also start playing with adding some fun details to the spines of the books.
The detail on the spine ends up making the books so lush that I decide the center has to b
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Brokenhearted? Depressed? Weary of choosing the foul partner?
Assessment self-help crowd helping you? This Valentine's Day, state . . . Say publicly
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