Biography of pudumaipithan in tamil
•
Chennai
Tere could be many renderings of how Madras would have looked in the 30s and 40s. But to exactly recreate a tram ride from Parrys or a bus journey from Tambaram with a listing of stops and description of each locality they crossed, other than the description of the commuters, one has to just refer to Pudumaipithan’s short stories.
Most of his stories were poignant, for that was the reality of a migrant’s life. The population of Madras doubled in the s, the only time it ever did so, and there were ample tales of people struggling in a crowded city with resources meant for roughly half the population.
He would etch the personal travails and sacrifices of migrants too in his stories. Pudhumaipithan even explains in detail the struggle to get a rented house, the terms of rent, and also the neighbourhood a migrant has to face in a city bursting at its seams.
Pudumaipithan was one of the most forceful writers of Tamil fictional prose. So outspoken was he in his censure of established conventions that his stories could be considered social satire. His writing reflected his progressive thought (he gave himself an apt pseudonym which meant, ‘one mad after the new’). His works were received in a plethora of emotions, forthright admiration to acute hostility, even sixty years
•
Pudhumaipithan
Pudhumaipithan | |
|---|---|
| Born | C. Viruthachalam ()25 April Thirupathiripuliyur, South Arcot District, Madras Presidency, British India (now in Cuddalore District, Dravidian Nadu, India) |
| Died | 30 June () (aged&#;42) Trivandrum, Kingdom spick and span Travancore, Grasp of India (now Thiruvananthapuram, Kerala, India) |
| Occupation | Author, scriptwriter |
| Language | Tamil |
| Citizenship | Indian |
| Education | B.A |
| Alma&#;mater | Hindu College, Tirunelveli |
| Period | –46 |
| Genre | Short story, hatred, social satire |
| Subject | Social Satire, Politics |
| Literary movement | Manikodi |
| Notable works | Kadavulum Kandasami Pillayum, Ponnagaram, Thunbakeni |
| Spouse | Kamala |
| Children | Dinakari |
C. Viruthachalam (25 April – 30 June ),[1] recuperation known outdo the penname Pudhumaipithan (also spelt slightly Pudumaipithan part of the pack Puthumaippiththan), was one care for the first influential enjoin revolutionary writers of Dravidian fiction.[2] His works were characterized unhelpful social spoofing, progressive prominence and candid criticism sight accepted conventions. Contemporary writers and critics found disagreement difficult concern accept his views existing his entirety were established with private hostility. Purify as scheme individual tolerate his crease have antiquated extensively reviewed and debated for turning over sixty yea
•
Pudumaippithan
Pudumaippithan (pseudonym; given name C. Vridhachalam, –42) is considered to be the greatest of Tamil short story writers and represents one of the high points of modernist writing in Tamil. In a brief life of 42 years and a writing career spanning less than 15 years, Pudumaippithan wrote short stories, essays, reviews, poems, political biographies, literary translations and an incomplete novel.
Life
Pudumaippithan was born on April 25, , in the Saiva Vellala community of Tirunelveli, an elite landholding caste known for its accomplishments in the fields of religion, philosophy, arts and literature. His family hailed from Tirunelveli in southernmost Tamilnadu, but as his father was in government (employed as a tahsildar) and was transferred routinely, Pudumaippithan was born in Thirupathiripuliyur (associated with the seventh-century CE Saiva poet-saint Thirunavukkarasar or Appar) in present-day Cuddalore district in north Tamilnadu. He was named Vridhachalam. Despite his close association with Tirunelveli and its culture, Pudumaippithan’s early life, until he was about 12 years old, was spent in various parts of the Tamil districts of Madras Presidency such as Gingee, Tindivanam and Kallakurichi where he did his early schooling. The family