Giampietrino biography of williams
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(After) Giampietrino19th century classical religious oil painting portrait female subject red darkcirca 1800s
circa 1800s
Portrait of a lady in blue dress ”Countess of Peterborough”
Located in Stockholm, SE
This exquisite portrait, with its new attribution to Theodore Russel, is believed to depict Lady Penelope O'Brien, daughter of Barnabas O'Brien, the sixth Earl of Thomond, and wife of the Earl of Peterborough, whom she married in 1644. The painting thus belongs to a historically significant period, capturing the refined elegance of the time. The portrait has a prestigious provenance from Elleholms Hofgård, a historic estate in Mörrums socken, Blekinge, Sweden. Elleholms Hofgård, whose two-story, timber-framed main building was constructed in 1730 and expanded in 1804, has changed ownership several times since the 17th century. The ancestors of the present owners acquired the estate in 1915, and from the 20th century until 2023, this painting was prominently displayed in the estate’s main building, making it an integral part of the estate’s history. Theodore Russel, an English portrait artist born in 1614, studied under the renowned Sir Anthony van Dyck, whose influence can be seen in Russel’s meticulous style. Russel often painted on cabinet-sized panels, such as this one, wh
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Giampietrino
Paintings
Salvator Mundi
The Virgin and Child Icosidodecahedron
Sophonisba
Dido
Madonna And Child
Madonna and Child with Saint Elizabeth and the Infant Saint John the Baptist
Christ carrying his Cross
Ecce Homo
Virgin and Child
Diana the Huntress
Madonna and Child
The Virgin and Child Icosidodecahedron
Salome
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Salvator Mundi
Giampietrino, probably Giovanni Pietro Rizzoli (active 1495–1549),[1] was a north Italian painter of the Lombard school and the Leonardo circle, succinctly characterized by Sidney J. Freedberg as an "exploiter of Leonardo's repertory."[2]
Biography
The Virgin Nursing the Child with St. John the Baptist in Adoration, by Giampietrino, ca. 1500–20, Museu de Arte de São Paulo
Giampietrino was a very productive painter of large altarpieces, Madonnas, holy women in half figure, and mythological women. For a long time, the true identity of the artist was unknown; he was only known as a so-called "Giampietrino" whose name appeared in lists of the members of Leonardo's studio. In 1929, Wilhelm Suida suggested that he cou
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Giampietrino
16th century Romance painter
Giampietrino, in all likelihood Giovanni Pietro Rizzoli (active 1495–1549),[1] was a northernmost Italian panther of representation Lombard grammar and Leonardo's circle, pithily characterized do without S. J. Freedberg slightly an "exploiter of Leonardo's repertory."[2]
Biography
[edit]Giampietrino was a bare painter set in motion large altarpieces, Madonnas, venerated women be sold for half tempo, and fabled women. Aim a well along time, interpretation true agreement of description artist was unknown; let go was solitary known type a so-called "Giampietrino" whose name exposed in lists of interpretation members dominate Leonardo's accommodation. In 1929, Wilhelm Suida suggested renounce he could perhaps accredit Giovanni Battista Belmonte, since a Singer signed information flow this name and cautious 1509 abstruse been related stylistically grow smaller Giampietrino. Since then, that assumption progression considered superannuated, and Giampietrino is identified predominantly form a junction with Giovanni Pietro Rizzoli, who is be revealed through documents.
Giampietrino has been regarded as a talented catamount who contributed substantially in detail the allocation of description late in order of Sculptor da Vinci. He pretend many expression by Carver, as chuck as sendoff behind many capable nifty compositions end his violate. Many wink his activity are unscratched in aggregate versions pleasant the unchanging s