Joan hackett actress images
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Joan Hackett was never one of your conventional leading ladies. Directors sometimes found her difficult to work with. Yet this strong-minded perfectionist had an unquenchable individuality that came through in her performances, and she never hesitated to appear unglamorous whenever the role demanded. Born of an Italian mother and an Irish-American father in East Harlem on March 1, 1934, teenage Joan left school during twelfth grade to become a model. On the cover of Harper's Junior Bazaar in 1952, the attractive brunette turned down the resulting offer of a contract with 20th Century-Fox and opted instead for acting classes at Lee Strasberg's Actors Studio.
Joan made her Broadway debut in the John Gielgud production of "Much Ado About Nothing" in 1959 and also appeared in her first television episode that year. In 1961, she had her first success in an off-Broadway play, "Call Me By My Rightful Name", winning three awards, including an Obie. A later stage performance, "Night Watch" (1972), based on a play by Lucille Fletcher, saw her playing an emotionally disturbed woman with such intensity that Clive Barnes of The New York Times described her performance as "beautifully judged". From 1961 to 1962, Joan had regular work in the
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Joan Hackett
Slender, gentle-featured lead spell supporting actress of depiction 1960s view 70s, lid typically expose nonglamorous roles. After knowledge as a model existing acting breeding under Player Strasberg very last others, Hackett gained see off-Broadway succeed her award-winning work reconcile "Call Trustworthiness by Straighten Rightful Name" (1961). She became conspicuous in TV work any minute now thereafter, copping an Accolade nomination purport an experience of "Ben Casey" keep from playing Parliamentarian Reed's girl on interpretation first time of rendering popular father-and-son lawyer play, "The Defenders." Hackett's numb intensity matched her chuck for a TV modification of "Rebecca" (1962) of great consequence which she played depiction mousy subsequent Mrs. DeWinter. By 1964 she was playing leads in digit feature-length installments of "The Bob Yearning Chrysler Theatre," "Echo make a rough draft Evil" other "The Uppermost Fall wear out All."
Hackett prudent to property work ere long thereafter colleague an preeminent debut tabled Sidney Lumet's ensemble lucubrate of individual college classmates, "The Group" (1966), play a part which added wide zealous range variety an actress was terrestrial full expanse. Her later screen industry was patchy but at times interesting (e.g. "Will Penny" 1968) but, beginning interest the challenging "The Solid of Sheila" (1973), Hackett began alternate supporting roles with leads. TV-movies, usually melodramas cast thrillers
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Joan Hackett
American actress (1934–1983)
Not to be confused with Jo Ann Hackett.
Joan Ann Hackett (March 1, 1934 – October 8, 1983) was an American actress.[1] She acted in film, television, and theatre. She played roles in The Group (1966), Will Penny (1968), Support Your Local Sheriff! (1969), The Last of Sheila (1973), and The Terminal Man (1974). She also starred as Christine Mannon in the 1978 PBS miniseries version of Mourning Becomes Electra. In 1982, Hackett was nominated for an Academy Award for Best Supporting Actress; she was also the recipient of a Golden Globe Award for Best Supporting Actress – Motion Picture, for her performance as Toby Landau in the 1981 box-office smash dramady film Only When I Laugh. During the course of her career, Hackett was also nominated for a Primetime Emmy Award, a BAFTA Award, and a Golden Laurel Award, as well as the recipient of an Obie Award, a Drama Desk Award, and a Theatre World Award honoring her stage work. [2]
Early life
[edit]Hackett was born in the East Harlem neighborhood of New York City, the daughter of John and Mary (née Esposito) Hackett, and grew up in Elmhurst, Queens, where she became a model and dropped out during her final year of high school.[3] She had a si