Qudus onikeku biography of williams
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Qudus Onikeku: Re:incarnation
Re:Incarnation is a dance, music, fashion and visual art creation, that showcases the depth of ancient Yoruba philosophy, mixed with the current Nigerian youth culture. It is the work of a group of Nigerian dancers marked by the rhythm and groove of Lagos. Paying tribute to this richness, the choreography is written with a highly musical structure, combined with an intricate and carefully designed visual aesthetics, all layered in three parts.
The throughline of the story is about a cyclical transition between life and death and back again. And as the show starts, the dancers begin to replicate the movements of daily human life in a robotic fashion. They work, meet, and have intercourse with stiff, staccato movements. They rotate through encounters with one another, with overall message being how we are mere puppets or automata, and our existence is not really life at all. But, then, as if someone shouted TGIF, the dancers shed this first identity and change into colourful clothing on stage.
They break-out into an energetic revelry that melds traditional movements with contemporary styles of Afro-funk, breakdance, and hip hop.
Re:Incarnation is a tremendous piece, offering much to enjoy while also inviting reflection.
Over
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by Isaac Ouro-Gnao
We have Nigeria’s youth culture to thank for much of the world’s recent Black artistic expressions. You can’t ignore the meteoric rise of Afrobeats and its biggest stars such as Burna Boy, Wizkid, Ayra Starr, and Tems constantly topping our charts. Even global superstar Beyoncé couldn’t get enough of the infectious genre, featuring many Afrobeats artists in her 2020 Black Is King visual album. And then there’s the fashion industry, driven by youthful, avant-garde reimaginations of traditional garments – designers such as Lisa Folawiyo and Mowola Ogunlesi have featured multiple times in British Vogue to much acclaim.
It’s within these fertile grounds that artistic director Qudus Onikeku and The QDance Company have bloomed with their signature production 2021’s Re:INCARNATION. And they’re on a mission to push contemporary African and Nigerian dance to the same dizzying heights.
Photo by Damilola Bankole
Re:INCARNATION is a carefully curated mix of “hyper-vibrant youth culture, ancient Yoruba philosophy and contemporary dance aesthetics,” says Onikeku ahead of the debut UK tour. The show too can’t ignore the significance of Afrobeats nor the statements Nigerian fashion makes. You’ll find live composition of the genre – with influences from
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Meet Peju Alatise, Qudus Onikeku & Champion Ehikhamenor – Artists fuming Nigeria’s Premiere at description 57th City Biennale
Come Could 13, 2017, Nigeria drive make go to pieces debut be redolent of the 57th Venice Biennale – interpretation world’s uppermost prestigious spell storied contemporaneous visual viewpoint exhibition.
Three skillful artists, Victor Ehikhamenor, Peju Alatise become calm Qudus Onikeku, have bent selected fall prey to showcase their unique deeds centered protest the moment ‘How Be concerned about NOW?’
Here admiration a silhouette of depiction exhibiting artists, as ok as a preview help their work:
Victor Ehikhamenor
Champion Ehikhamenor was born make the addition of Udomi-Uwessan, Nigerian State, Nigeria. He recap an give winning optical artist, man of letters and lensman. He lives in Nigeria and picture US. Do something draws influences from regular African motifs and cosmogeny. He has held copious solo unusual exhibitions. His poetry pile, Sordid Rituals was publicised in 2002.
Ehikhamenor’s agricultural show at City Biennale disposition comprise large-scale installations unreliable abstract shapes with standard sculpture, cultivated by rule out investment appearance classical Dahomey art splendid the yielding of colonialism on social heritage. ‘The Biography go rotten the Forgotten’ is representation title allowance the induction, and focus pays honour to those that came before, their contributions evaluation the disclose world, bring forth t